Foxes pop up in my sketchbook in the same unexpected, and I hope charming and rather mysterious way, that real foxes turn up in my suburban neighborhood. They are always smaller than expected and trot so quickly past that they are easily missed. The top two-page spread of a Red Fox seems to have a story. It seems like an excerpt from a children’s book, but that’s all there is…so far. The portrait of the Fox also seems to have some story to tell. That seems to be the nature of these elusive animals. A flash of red, and then it’s gone.
My 2020 “Pandemic Sketchbook” chronicled my life during the lockdown through the advent of Covid vaccines. In 2021, I started a new sketchbook whose themes were more hopeful, so I didn’t think of it as a pandemic journal. It was just a way of keeping a habit of sketching several times a week. In 2022, I started a third sketchbook, smaller and the paper is best for dry media only. I made several charcoal sketches in early spring based on museum postcards, snapshots from my 1990’s instant camera and other visual cues uncovered while decluttering my house or reading the news.
I usually work on an acrylic painting on canvas at my weekly art class. These painting can take several months to finish. After a lengthy project, I often take a mental break by working on drawings that can be completed in a couple of weeks or so. After wrestling with the adorable snowman still life, which took more time than I had anticipated, I began a series of large charcoal drawings based on my teacher’s photographs of wildlife. These are about 11 x 14 inches on Bristol board, which should be the right proportions for making note cards.
In my last post, I mentioned that one element of the still life I am working on in my teacher’s studio has to come home with me each week. I can’t leave the poinsettia because the studio cats might be tempted to nibble on this toxic plant. So the potted poinsettia gets tucked up in a brown paper bag each week and sits in the passenger seat while I drive home. So far the cold weather has not bothered it. It is so cold in my home studio that the plant is now on my dining room table where it’s nice and warm for this tropical denizen and also warm enough for me to draw it in my sketchbook today without freezing my hands. I sketched the plant loosely in pencil, then inked it in black. I erased the pencil marks, then added the color with a new set of watercolor markers that my daughter gave me for Christmas. The colors are vivid. The brand is ‘Primrosia.’
Technical stuff: I blocked out the drawing to be three times the size of a standard 5 x 7 greeting card so that when photographed to send to the printer, the resolution would be very high when the size was reduced from 15 x 21 to 5 x 7.
Choose paper color and go! The drawing of my hibiscus bloom, seen in the photograph attached to the easel, is blocked out with a white pastel pencil on green paper.
Starting my 2021 Christmas card
Adding color to the drawing
The finished drawing for the Christmas card
I uploaded the finished image to Vistaprint to turn into my 2021 Christmas card. If you read the stories of my other greeting card misadventures, this year was a much smoother experience thanks to the technical and artistic guidance of my teacher. Thank you, thank you to her. And Merry Christmas to all!