My 2020 “Pandemic Sketchbook” chronicled my life during the lockdown through the advent of Covid vaccines. In 2021, I started a new sketchbook whose themes were more hopeful, so I didn’t think of it as a pandemic journal. It was just a way of keeping a habit of sketching several times a week. In 2022, I started a third sketchbook, smaller and the paper is best for dry media only. I made several charcoal sketches in early spring based on museum postcards, snapshots from my 1990’s instant camera and other visual cues uncovered while decluttering my house or reading the news.
I usually work on an acrylic painting on canvas at my weekly art class. These painting can take several months to finish. After a lengthy project, I often take a mental break by working on drawings that can be completed in a couple of weeks or so. After wrestling with the adorable snowman still life, which took more time than I had anticipated, I began a series of large charcoal drawings based on my teacher’s photographs of wildlife. These are about 11 x 14 inches on Bristol board, which should be the right proportions for making note cards.
Sketching wildlife in black and white brought me back to my Pandemic Sketchbook in September. There seems to be more critters in my yard and neighborhood, or maybe I just have more time to observe nature these days. I did not get to the beach this summer, but painted a gull from a photo I took years ago.
This self-portrait is based on a photograph taken by a friend a couple of weeks ago. We were sitting on my front porch where I have two chairs spaced six feet apart. She wore a mask and I wore a bandana out of an excess of caution while we talked.