A half hour drive west on the interstate last week took me through beautiful monochromatic landscapes shrouded in fog. When I returned home, I painted the scenes from memory. First I divided a 9×12 sheet of watercolor paper in fourths to practice with small vignettes. I used a limited palette of Payne’s grey, lamp black, ultramarine blue, yellow ochre and burnt sienna (it might be Indian red, not sure because I filled my watercolor pans a while ago.) I added Chinese white details with a rigger brush at the end.
I started two slightly larger practice pieces next, including a color chart at the bottom of the paper. I was trying to really think through the process, but also trying to keep the nice transparent, loose quality of the medium. I hoped to somehow get the foggy effect of the day by leaving white paper to suggest the fog curling around the trees and foothills. The sketch below seemed like a good start, but then …
…I struggled, and worked, and belabored the whole thing and lost the fresh beginning, see below. I think I’m finished with this and maybe I’ll try a full-sheet painting next.
What did I learn from my practice pieces? What I really missed in these exercises is a source photograph to work from, and my teacher! When I work at home, I hear my teacher’s voice in my head, but I don’t have her experienced eye on my work. Next week, back to class.